You know, I can't quite decide whether it's great that Oscar winning knight of the realm Mark Rylance continues to support independent cinema like this, or was "Bridge of Spies" (2015) just a fluke and he really isn't much better than a jobbing actor for whom parts like this are his true bread and butter? Lately, I've begun to err on the side of the latter. In this rather dreary drama he is garage...
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