Director Mark Anthony Green’s “Opus” is an ambitious but uneven satirical horror-thriller that bites off more than it can chew. Centered on a young journalist named Ariel (Ayo Edebiri) who is invited to the secluded desert compound of a legendary pop star (John Malkovich) long thought to be missing, the film attempts to explore themes of celebrity worship, journalistic ethics, and the cult of fame...
This had good potential and John Malkovich can usually be relied upon when eccentricity is needed, but the rest of this is an incomplete and rather messy reminder of “Midsommar” meets “Ten Little Indians”. He is the reclusive pop star “Moretti” who announces after almost thirty years away, that he is to release his comeback album. The industry goes wild for this news and when he announces his own ...
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