If _Pride_ had been dreamt up by a screenwriter, no studio in their right mind would’ve backed it—miners and queer activists teaming up in Thatcher’s Britain? Come off it. But because it’s rooted in truth, it’s got real bite. I found it a solidly good romp with a banging jukebox soundtrack and just enough political heft to give it weight—Section 28, police harassment, the AIDS crisis all get a loo...
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