When an actor returns to the screens after a two-year gap, we expect him to choose a vehicle worthy of a comeback. Vadivelu seems to have gone for a safer option and so comes with a film that feels like a less funny and bloated version of his own Imsai Arasan 23am Pulikesi. Like that film, this one too is a historical fiction. They feature garish set design and costumes. The heroines in both these...
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