I recall meeting Daniel Day-Lewis some years ago, he had just stepped from his motor bike and proved to be a charming, engaging man extremely far removed from the racist and odious "Bill the Butcher" character he so expertly creates in this hard, gritty and brutal depiction of the almost tribal existences lived by many in 1860s New York. Leonardo di Caprio ("Vallon") arrives in that city's Five Po...
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