I'm not usually a fan of remakes, especially as the 1951 iteration of this story featuring Michael Redgrave is a powerful piece of drama. Who better, though, than Albert Finney to pick up the mantle and offer us his own interpretation of this curmudgeonly ancient languages master at a public school who is facing retirement? Mike Figgis has updated the Rattigan text to bring it into the 1990s, but ...
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