Although he does well enough here, I couldn’t ever get the vision of Michael Palin as a sort of “Ripping Yarns” character throughout this pretty weak vehicle for himself and Maggie Smith. It’s the turn of the 20th century and “Fortescue” (Palin) has been brought back to London from Africa by his Bishop (Denholm Elliott) who wants him to get his sleeves rolled up with the women of ill repute who ar...
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