A filmic meditation of sexuality, loss and rebirth, in which meaning is built through association, repetition and pace. As with Unfolding and Swan this film was made whilst Syed was still a student at University of East London. The film was structured entirely through the process of exploring 16mm printing techniques; the pace of the film being stipulated by the time it took to fade from a saturated dense black to a ghostly white in which the memory of an image more than the actual image is perceived.
