I am so torn with this movie. The drive to create, the artistic urge can be so overwhelming that some people eschew everything, all relationships and comforts, to pursue it. Humans are driven to make things, to create. Art and the way it tells a story is part of being human. Even if no one sees what is created, the creative act still has meaning. All of this is the central theme of this movie. And...
George Sanders is good, in what's quite an untypical type of role for him, in this otherwise rather plodding and wordy drama that has shades of the life of Paul Gauguin to it. He's a stockbroker ("Strickland") who tires of his life and his wife so decides to take up a career painting and living in Paris. The only constant in his life is his long suffering friend "Wolfe" (narrator Herbert Marshall)...
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