Yael Bartana's dialogue-free and graceful 'The Undertaker' is a performative ceremony. A group of people dressed in white robes perform a choreographed ritual, led by an androgynous figure dressed in black, who leads them through an American metropolis and on to a cemetery where they bury their weapons in a pacifist gesture, but do so with power, pride and a will to resist. As they part with their machines, the members of the enigmatic group create a monument to life and the living, at the same time as they establish a connection to the phantoms of the past.