There are a few different versions of this movie with different audio tracks. Dreyer himself criticized a bastardized version in the 1950s that changed the vignettes and audio to better fit for audiences of the time. I saw this movie long ago from a poor reproduction with what I assume was the original score and it was pretty good. Years later showed it to someone else and we saw the remastered...
Maria Falconetti is superb as the eponymous tortured soul betrayed and tried for heresy in 15th century France. The history is well known, and Carl Theodor Dreyer sticks fairly faithfully to the more established, traditional, chronology which leaves us, the audience, to focus much more on the wonderfully emotive, gritty and poignant efforts from the cast and the wonderfully creative talent behind ...
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