In 2011 Béla Tarr, a Hungarian director who had drawn acclaim for his distinctive style of long takes à la Andrei Tarkovsky and a bleak and sardonic view of human existence, released what he stated would be his last film: THE TURIN HORSE. The film's genesis is rooted in a conversation between Tarr and the Hungarian novelist Laszlo Krasznahorkai some years before: Krasznahorkai recounted the story ...
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