This might have done better for me if Lucrecia Martel had just stuck to putting together a series of authentic and potent folk performances from an array of people whom we meet, initially, sitting around a camp fire in the middle of lockdown. I didn't really need to hear Julieta Laso's rather chronological and self-indulgent in-car monologue. Back to the thrust of this documentary, though, and the...
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