Dirty Harry

Seen this one a few times over the years and still holds up so well and just another all-time classic from the glorious 1970s. Thoroughly entertained through its perfect 100-minute running time. Eastwood is fantastic of course but Andrew Robinson and his shrieking/screaming was unsettling. The influence this had on future crime-dramas cannot be understated. **4.5/5**

This is one of these films that you can watch time and time again and still enjoy. Certainly, it's not the best crime story ever committed to film: the actual plot is comparatively straightforward with little by way of anything subtle, but I doubt you will readily find a more charismatic leading man who manages to combine humour, menace and style than Clint Eastwood ("Callahan"). He is a no-nonsen...

I can't imagine anyone else playing Harry Callahan other than Clint Eastwood. He will always be an iconic character with his tough demeanour and his means to get justice no matter how many rules he needs to break. Some of the scenes at the start have nothing to do with the investigation and while feel quite unnecessary to the plot, they still bring entertainment and shows us just what type of char...

Surprisingly straightforward story-wise, but very enjoyable all the same. <em>'Dirty Harry'</em> is no doubt stylish, features an eye-catching plot and has a very good lead performance from Clint Eastwood; he really does own the role. With that noted, I was surprised at how simply the story unfolds. That's not necessarily a criticism, I just presumed it would've been more than just 'event one, ...

Recently I've considered drastically negatively re-appraising Clint Eastwood's work, both directorially and as a thespian, as a knee-jerk reaction to his constant defense of the more racially-bigoted face of conservative America, but because of what his work has meant to me as a cinephile over the years, plus in tribute to everyone else's work involved in this film, particularly director Don Siege...

The directing is remarkable but, the most interesting side of this film is the character created by Eastwood, a policeman who decides to take the law by his hand disregarding any kind of right or procedure. Quite like his characters in the far west ... but in nowadays U.S. The story itself is, plainly, bad and grotesque.

More than iconography here in dynamite Siegel/Eastwood teaming. The film opens with a shot of a memorial wall in praise of the San Francisco Police officers who lost their lives in the line of duty, a SFPD badge is prominent as the camera scrolls down the ream of names on the wall. Cut to a rooftop sniper shooting a girl taking a swim in a swimming pool, cut to the coolest looking cop you have...