Born 1904 (age 68) · Olmütz, Moravia, Austria-Hungary [now Olomouc, Czech Republic]
Appears in 87 titles

​From Wikipedia, the free encyclopedia.   Edgar Georg Ulmer (September 17, 1904 – September 30, 1972) was an Austrian-American film director. He is best remembered for the movies The Black Cat (1934) and Detour (1945). These stylish and eccentric works have achieved cult status, whereas Ulmer's other films remain relatively unknown. The first feature he directed in North America, Damaged Lives (1933), was a low-budget exploitation film exposing the horrors of venereal disease. His next film, The Black Cat (1934), starring Béla Lugosi and Boris Karloff, was made for a major studio, Universal Pictures. Demonstrating the striking visual style that would be Ulmer's hallmark, the film was Universal's biggest hit of the season. Ulmer, however, had begun an affair with Shirley Beatrice Kassler, who had been married since 1933 to independent producer Max Alexander, nephew of Universal studio head Carl Laemmle. Kassler's divorce in 1936 and her marriage to Ulmer later the same year led to his being exiled from the major Hollywood studios. Ulmer was relegated to making B movies at Poverty Row production houses. His wife, now Shirley Ulmer, acted as script supervisor on nearly all of these films, and she wrote the screenplays for several. Their daughter, Arianne, appeared as an extra in several of his films. Consigned to the fringes of the U.S. motion picture industry, Ulmer specialized first in "ethnic films," notably in Ukrainian—Natalka Poltavka (1937), Cossacks in Exile (1939)—and Yiddish—The Light Ahead (1939), Americaner Shadchen (1940). The best-known of these ethnic films is the Yiddish Green Fields (1937), co-directed with Jacob Ben-Ami. Ulmer eventually found a niche making melodramas on tiny budgets and with often unpromising scripts and actors for Producers Releasing Corporation (PRC), with Ulmer describing himself as "the Frank Capra of PRC". His PRC thriller Detour (1945) has won considerable acclaim as a prime example of low-budget film noir, and it was selected by the Library of Congress among the first group of 100 American films worthy of special preservation efforts. In 1947, Ulmer made Carnegie Hall with the help of conductor Fritz Reiner, godfather of the Ulmers' daughter, Arianné. The film features performances by many leading figures in classical music, including Reiner, Jascha Heifetz, Artur Rubinstein, Gregor Piatigorsky and Lily Pons. Ulmer did get a chance to direct two films with substantial budgets, The Strange Woman (1946) and Ruthless (1948). The former, featuring a strong performance by Hedy Lamarr, is regarded by critics as one of Ulmer's best. In 1951 he directed a low-budget science-fiction film with a noirish tone, The Man from Planet X. In 1964 he directed his last film, The Cavern, in Italy. Description above from the Wikipedia article Edgar G. Ulmer, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Filmography

Detour
7.2
Detour
1945
Director
The Black Cat
6.7
The Black Cat
1934
Director
People on Sunday
7.2
People on Sunday
1930
Director
The Man from Planet X
5.9
The Man from Planet X
1951
Director
The Amazing Transparent Man
4.0
The Amazing Transparent Man
1960
Director
Hannibal
5.6
Hannibal
1959
Director
Bluebeard
5.4
Bluebeard
1944
Director
Beyond the Time Barrier
6.0
Beyond the Time Barrier
1960
Director
The Strange Woman
6.2
The Strange Woman
1946
Director
Ruthless
5.7
Ruthless
1948
Director
Strange Illusion
5.6
Strange Illusion
1945
Director
Daughter of Dr. Jekyll
5.8
Daughter of Dr. Jekyll
1957
Director
Murder Is My Beat
6.0
Murder Is My Beat
1955
Director
The Naked Dawn
6.3
The Naked Dawn
1955
Director
So Young, So Bad
5.2
So Young, So Bad
1950
Director
Damaged Lives
4.7
Damaged Lives
1933
Director
Moon Over Harlem
3.9
Moon Over Harlem
1939
Director
The Naked Venus
4.8
The Naked Venus
1959
Director
Isle of Forgotten Sins
5.0
Isle of Forgotten Sins
1943
Director
Tomorrow We Live
4.9
Tomorrow We Live
1942
Director