Born 1896 (age 58) · Bialystok, Grodno Province, Russian Empire
Appears in 73 titles

Dziga Vertov (born David Abelevich Kaufman) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. The independent, exploratory style of Vertov influenced and inspired many filmmakers and directors. The Dziga Vertov Group borrowed his name. In 1960, Jean Rouch used Vertov's filming theory when making Chronicle of a Summer. His partner Edgar Morin coined Cinéma vérité term when describing the style, using direct translation of Vertov’s KinoPravda. The Free Cinema movement in the United Kingdom during the 1950s, the Direct Cinema in North America in the late 1950s and early 1960s, and the Candid Eye series in Canada in the 1950s, all essentially owed a debt to Vertov. In the 2012 Sight & Sound poll, critics voted Vertov's Man with a Movie Camera (1929) the 8th best film ever made.

Filmography

Man with a Movie Camera
7.8
Man with a Movie Camera
1929
Director
Kino Eye
6.7
Kino Eye
1924
Director
Enthusiasm. Symphony of Donbas
Three Songs About Lenin
6.1
Three Songs About Lenin
1934
Director
A Sixth Part of the World
6.6
A Sixth Part of the World
1926
Director
Soviet Toys
5.4
Soviet Toys
1924
Director
Kino-Pravda No. 1
5.5
Kino-Pravda No. 1
1922
Director
The Eleventh Year
5.9
The Eleventh Year
1928
Director
Kino-Pravda No. 17
5.3
Kino-Pravda No. 17
1923
Director
Stride, Soviet!
6.2
Stride, Soviet!
1926
Director
Kino-Pravda No. 3
4.8
Kino-Pravda No. 3
1922
Director
Kino-Pravda No. 4
4.7
Kino-Pravda No. 4
1922
Director
Kino-Pravda No. 5
5.0
Kino-Pravda No. 5
1922
Director
Kino-Pravda No. 20: Pioneer Pravda
Kino-Pravda No. 15
5.0
Kino-Pravda No. 15
1923
Director
Kino-Pravda No. 23: Radio Pravda